Lynn Hershman, 976-4900 (Collage), 1985

photo collage on cardboard, unique vintage, 13 3/4" x 10 1/4"

Ken Graves, Man Eating Lunch, SF, 1969

gelatin silver print, 7 1/2" x 11"

Lynn Hershman, Mirrored Water Fall, 1978

mixed media collage with digital print and mirror, 16 15/16" x 16 5/8" x 1 1/4" frame

Tony Labat - Elevations: Platforms, Stages, & Catwalks VII, 2012

Ink on paper 24” x 24”, Fr 24.5” x 24.5”

Catherine Wagner - Ephemeral Sculpture I (1275 Minnesota), 2015-16

Archival pigment print, 48.5” x 65”

Jacob Hashimoto, These Strange Galactic Monsters for Whom Creation is Destruction, 2017

Paper, wire, wood and mixed media, 47" x 42" x 8 1/4"

Untitled (MS1702), 2017

cut manuscript page, 8 1/4" x 12 1/2"

Bull.Miletic, Venetie MMXVII, stage C, 1500-2017

inkjet print on paper

Ken Graves
Hotel Pool, Miami Beach, Fl, 1981
gelatin silver print, Image 7 1/2” x 11 1/2”, Matte 16” x 20”

Bull.Miletic, Venetie MMXVII, stage C (detail), 1500-2017

inkjet print on paper

Tony Labat - Elevations: Platforms, Stages, & Catwalks II, 2012

Ink on paper 24” x 24”, Fr 24.5” x 24.5”

Lynn Hershman, TV Legs, 1990

gelatin silver print, 24" x 20" image, 28 3/4" x 24 3/4" frame

Ken Graves
Two Businessmen, SF, Ca, 1971
gelatin silver print, Image 7 3/4” x 11 1/2”, Matte 16” x 20”

Ken Graves, Receptionist, SF, 1969

gelatin silver print, 7 1/3" x 11"

Lynn Hershman
Invasion, 1988

Gelatin Silver Print 24” x 20”

Gay Outlaw, Street View, 2014

Glass, epoxy, plywood, hardwood, steel, 64" x 27" x 27"

Dean Byington, Night Burrow, 2009, Oil and varnish on linen, 32 x 26 in.

Oil and varnish on linen 32” x 26”

Joan Brown, After the Alcatraz Swim #2, 1975

oil and enaml on canvas, 78" x 84"

Untitled (MS1701), 2017

cut manuscript page, 8 1/4" x 5 3/4"

Ken Graves, Killer Whale, Miami Beach, FL, 1981

gelatin silver print, 7 3/4" x 11 1/3"

Jacob Hashimoto, The Relative Light of the Sun, 2017

Paper, wire, wood and mixed media, 32" x 27" x 8 1/4"

Canan Tolon, Untitled 8.1.2017, 2017

oil on canvas, 50" x 76"

Untitled (MS1710), 2017

cut manuscript page, 9" x 12 1/4"

Ken Graves, Bank Guard, SF, 1969

gelatin silver print, 7 3/4" x 11 1/2"

The Interior and the Exterior - Noah Purifoy, 2014, 20" x 24" framed, selenium toned silver gelatin print

Untitled (MS1712), 2017

cut manuscript page, 8 3/4" x 6 1/4"